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Editorial Design · Fiction · 22 Pages

Bogotá, una historia de amor.

Fiction Magazine
22 Pages · InDesign
Bogotá, 2026

CategoryEditorial Design
Pages22 Pages
ThemeIdentity · Fiction
ToolsInDesign · Photoshop
Year2026
CategoryEditorial Design
Print Publication
Pages22 Pages
Including cover
TypographyChampion HTF
Featherweight · Lora
ThemeIdentity
Inclusion · Fiction
ToolsInDesign
Illustrator · Photoshop

04

A fairy tale rewritten in Bogotá.

Bogotá, Una Historia de Amor is a 22-page editorial project that takes Cinderella and retells her story in contemporary Bogotá — as a lesbian love story between two young women navigating identity, class, and belonging in a city that is still learning to see them. The magazine format was not incidental. It was the medium chosen deliberately: a cultural object that mimics the language of fashion and lifestyle publications, but carries a story that those publications rarely tell.

Bogotá, Una Historia de Amor ●  Editorial Design ●  22 Pages ●  Fiction Magazine ●  Bogotá, Una Historia de Amor ●  Editorial Design ●  22 Pages ●  Fiction Magazine ● 
The Object

The magazine in the world.

A cultural object designed to sit alongside the publications it reimagines.

Page by page.

22 pages. Read the full magazine.

Behind the work.

03 decisions
01

Rewriting the fairy tale

The starting point was a question: what stories do mainstream magazines refuse to tell? Cinderella has been retold hundreds of times. This version asks what happens when the prince is not in the story at all — when the glass slipper belongs to someone who was never invited to the ball.

02

Champion meets Lora

Champion HTF Featherweight was chosen for its contradictory nature — it looks strong but feels fragile. Lora brings warmth and readability to the body text. Together they create the emotional register of the publication: authority in the headlines, intimacy in the story.

03

Every spread as a scene.

Each double page was designed as a moment in the story — not a neutral container for content but an active participant in the narrative. The grid shifts between spreads. White space is used dramatically. The magazine does not illustrate the story. It is the story.

Design with a voice.

22Pages of narrative design
2Typefaces — one fragile, one warm
1Story that needed to be told

"What if Cinderella had always been queer?"

Bogotá, Una Historia de Amor is a project about visibility — about using the tools of editorial design to make a story legible that is too often invisible. The magazine format was chosen because of its cultural weight: we trust magazines to tell us what matters, who is desirable, whose love is real. This project turns that trust into an act of inclusion.